In the mail today received a DVD I'd ordered from Germany about a month ago, Stockhausen conducting Region III of Hymnen in 1986, my favorite section of my favorite piece of his. Great to see it performed live (which I otherwise haven't); it was absolutely magical to hear the density of musical ideas in the piece, and hearing it l
ive after so many years of listening to the vinyl recording, it was like seeing something in 3D that had been a flat painting. I'm so glad it held up for me (or I for it?). So beautiful to have someone form the ideas of the tonal and overtonal elements of the notes themselves, and using such a balanced mix of acoustic orchestra and electronic sounds.
For all my musical friends, I include these recommendations from the person in charge of the Stockhausen archive. It is difficult to purchase Stockhausen recordings except through the archive (I couldn't find them in stores even in Berlin, however Amoeba in SF has a small collection of them). Of course some pieces are more involving than others, and some time spent composing electronic using electronic components can help one create a door into a music which is usually both arhythmic and aggressively non-ambient.
If you are a musician and have not sat down in the evening and listened in a darkened room to one of his recordings on a good sound system, you should not yet feel world-weary. There is more awaiting you. He composes inside sound like no other composer I've heard. Along with fellow student Pierre Boulez, he studied under Oliver Messiaen, whose incredible percussion work and composition with bird song is with me whenever I travel and hear new birdsongs announcing the new morning in far off places. Really, this is mothers' milk. That said, when Meredith was growing up she used to refer to this as "Daddy music". -RBE
Dear Robert Edgar,
thank you so much for your wonderful e-mail!
If you are interested in orchestral works, I can highly recommend the CD 100 with JUBILEE and Stockhausens last work for orchestra, which he finished on December 4th 2005 (he died on December 5th), which is called FÜNF WEITERE STERNZEICHEN for orchestra.
My personal favorite is INORI for orchestra also.
Electronic works which are a "must" are on CD 3 (GESANG DER JÜNGLINGE, KONTAKTE etc.). Just yesterday we received a notice that finally GESANG DER JÜNGLINGE will be performed at the Cologne Cathedral on April 30th 2013. Stockhausen composed this electronic work to be performed in the Cathedral in 1956 but up to date (!) they refused to perform it because of the loudspeakers. So The world finally cathes up after more then 50 years…
Later electronic works like OKTOPHONIE (CD 41), MITTWOCHS-GRUSS (CD 66) and his last electronic work COSMIC PULSES (CD 91) show that he continued being experimental and searching for new worlds.
I just finished mixing MICHAELION (4th scene of WEDNESDAY from LIGHT) which I recorded this year in Birmingham with the London Voices. This recordings is also amazing and will hopefully ready by the end of the year.
But I could write on and on as I am of course Stockhausens biggest "Fan" :-)
Have a wonderful 1st Advent!
Mit herzlichem Gruß
für die Stockhausen-Stiftung für Musik
I note that his last work was "FÜNF WEITERE STERNZEICHEN" or "Five Additional Zodiac Signs". I remember reading Giordano Bruno's text "Spaccio della Bestia Trioufante" ("Expulsion of the Triumphant Beast") where Bruno replaces the constellations with new sets. Great thing to do.http://pinterest.com/rbedgar/memory-theatres/